Contents

  1. Editorial: David Lynch’s Cinematic Dreamscape
  2. Cover Artist: Eytan Wronker
  3. Incident on a Florida Highway (A Vignette) by Tyson Blue
  4. Urns by Thomas M. Malafarina
  5. Accidental Genius Review By Mark Slade
  6. Groundhog Day Comic By Eytan Wronker
  7. The Clown Prince of Horror: Inside Jeff Strand’s Creative World
  8. Going Back to the Double “R” by Mark Slade
  9. A Damn Fine Tribute: Remembering David Lynch
  10. Pinstripes, Paint, and Passion: An Interview with Kat Ruiz Bass
  11. Babylon A.D. Live Lightning Album Review by Lucy Hall
  12. Growing Up with Milt and Muck #1
  13. Old Man Vs Cell Phone
  14. Stories, Struggles, and Success: A Chat with E.S. Wynn
  15. Echoes of the Past: Southern Gothic Podcast
  16. The Money Plot by Tyson Blue
  17. Traffic Jam by Tyson Blue
  18. Growing Up with Milt and Muck #2
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Go With the Flow By Eytan Wronker

Go With the Flow

The Art That Almost Paid for Dinner

How a spontaneous sketch turned into a published cover—and nearly a free meal.

By Eytan Wronker

This illustration has a rather unusual origin. One day back in 2023, I went with my wife, her sister, and their cousins to a restaurant called Dada. We had never been there before, but it sounded promising. The place was named after the Dada art movement, though the decor leaned more toward surrealism.

My wife mentioned that she had seen something on their website about the restaurant bartering meals for artwork. On a lark, I joked that maybe I’d draw them a picture, so I grabbed a Sharpie and a piece of paper before getting in the car. While my wife was driving, I sketched this drawing—pure stream-of-consciousness imagery.

I knew I wanted to depict a head filled with characters, a concept that also plays a central role in an art book I’ve been working on for years. In fact, some of the characters in this piece come straight from that book. I wanted the illustration to feel light and happy, so I ended up calling it Go With the Flow.

Fortunately, my wife didn’t make any sudden stops or hit any potholes—both of which could have been disastrous. It was a long drive, and I spent about an hour completing the drawing. It turned out okay, though I wouldn’t recommend sketching in a moving car—it definitely made me a little carsick.

When we arrived at the restaurant, I asked the waiter if it was true that they traded art for food. He brought over an assistant manager, who explained that the actual manager wasn’t there, so he couldn’t authorize the trade.

That was fine by me—I showed him my drawing anyway. He liked it so much that he comped my meal on the spot. In return, we left the waiter a generous tip, essentially paying for the meal anyway. They told me I could keep the artwork but asked me to send them a scan via email, which I did—though I never heard back.

On the way home, we drove through one of the most intense thunderstorms I’ve ever seen. Visibility was practically zero, and for a moment, I thought we were all going to die. Somehow, we made it back alive.

At first, I wasn’t sure what to do with the artwork. Since it was just black and white, it felt unfinished to me, so I scanned it and colored it digitally. I figured that would be the end of it, but then Mark and Chauncey noticed my artwork on social media and asked if I’d like to submit it to their Twisted Pulp magazine. This will be my third cover published with them.

I thought the original colors looked a bit too cheerful, so I reworked the palette with darker tones. Now, that little face in the upper right corner looks like something straight out of Hieronymus Bosch.

P.S. Now you know the whole story. It was a fun piece to make—and it even (sort of) got me a free meal. If you ever visit that restaurant hoping to trade artwork for food, though, definitely call ahead. I’m not sure they still do that, and even if they do, there are probably protocols you’ll need to follow.

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Groundhog Day Comic By Eytan Wronker

Groundhog Day Comic By Eytan Wronker